Notre-Dame Reopening Concert, review: One star shines above all (and it wasn’t Pharrell Williams)
This triumphant show was lit up with a spectacular mix of classical and new – but the real icon was 800 years old

This triumphant show was lit up with a spectacular mix of classical and new – but the real icon was 800 years old
Gilbert and Sullivan’s words and music have seldom sounded more enjoyably in sync than in this delightful return to Leigh’s 2015 production
Royal Opera’s 18-year-old production, revived to mark the centenary of Puccini’s death, is showing its age
ENO’s new partnership is an awkward compromise which fails to capitalise on its excellent musicians, or its flair for big productions
This shattering staging of Puccini’s rarely performed masterpiece is a tense reimagining via Ireland’s notorious Magdalene Laundries scandal
With its injection of fresh talent, this company staple is an assured way to open ENO’s Puccini centenary celebration
Barcelona’s Gran Teatre de Liceu is marking the 25th anniversary of its reopening with a powerful staging of Shostakovich’s dark tale
Ted Huffman’s staging of Tchaikovsky’s great opera wipes the cultural slate clean with an all-too-blank canvas that has mixed results
The beleaguered company called off a planned strike, and gave it their all in this shocking, committed production
With luck, Rolf Hind’s latest work will highlight the eloquence and depth of Sufi mystic Rumi’s poetry – but the opera is a curate’s egg
This ever-fresh Mozart revival is popular with everyone – and showcases two striking house debuts from Ying Fang and Ginger Costa-Jackson
From Rigoletto to Ruddigore, our critic rounds up the best operas of the season
As the new season launches, here’s a manifesto for how the sector can repair the damage of recent years
A tremendous, uplifting performance of Smetana’s Má Vlast suite by Kirill Petrenko and the Berlin Philharmonic Orchestra
Masaaki Suzuki revolutionised how the composer is played with his world-famous orchestra and choir. Now his son Masato is taking the reins
Composer Anthony Bolton has an admirable go at adapting Shakespeare’s play but fails to add enough to the text